Matrix is complete

Here's a larger picture to give you a sense of the whole piece, and a closeup for the detail.
Overall, I think it worked out okay. The beads and yarn are close enough so the effect is pretty calm and doesn't detract from the lace pattern, but there's enough iridescent sparkle to the beads so that they have a little eyecatching-ness to them. Even with so few beads - I really tried to restrain myself - you can feel how they add to the weight of the overall piece. It took 2 skeins of gloss and 2.5 vials of size 6 beads to complete this scarf. It isn't a long scarf, more like a wrap around your neck one time and tuck the ends into the front of your coat.
I think it blocked really nicely - I did my usual routine of gently rinsing the peice in warm water with baby shampoo, then rinsing again with conditioner (I think the silk in this yarn really liked that last step), roll in a towel and gently press, then lay flat. I don't have a blocking frame or wires to put it on, but it came out okay. Dried in under 12 hours, as well.
Anyone have any great ideas or tips about blocking? I'd love to hear 'em . . . .

Not actually shielding her identity . . .

With the small purple ball of yarn. Yup.
Still not happy with my idea for the hand painted.
Need to swatch it (is swatch actually a verb?) but I'm thinking hand painted background, purple outlines, dark teal stars.

Sounds workable to me, but I need to see it to see if the balance works as I imagine. The thing about this Fassett pattern is that this one is intarsia, which makes it very labor intensive - I guess in the best-of-all-possible-worlds, one would measure from the pulled out swatch what each pattern component requires, then pre-cut all the yarn pieces to the right length.

I'm just not that, um, careful (be polite). Nope, I do intarsia with each part of the pattern attached to a nearly full sized ball, and just shove the shaggy thing in a pillowcase when I'm not actually working on. Maybe I'll have a sample in a day or 2 to share.

I think this is better

Not much time to make a real swatch, but I think this works much better than the black. I'm still happy with the gauge, but I'm not sure how I'm going to distribute these 2 colors. I'll have to think about that.

The blue shawl is crawling along glacially, and the Matrix is 2/3 way through the second ball. I may not need that third ball - I like scarves to be hugely long, but maybe not so much with this one. The beads might make it too heavy, and I'm not sure a beaded scarf would be great for wrapping around your head - more like an accessory, really.

Getting back to the Matrix

Yay! Now I can finish the Matrix, which I am quite fond of. Of course, now I begin to fear I don't have enough Gloss, and cosmos won't be available until Sept., which means a new dye lot. Bother, Pooh. You can kind of see them in this picture, every fourth or so purple bead is half greeny-blue iridescent. The overall effect is both pretty and subtle. Would I care to wear a scarf full of beads? Mmm, not sure. But it's fun to make so that concern is for later. (And no, I don't quite know where those gunmetal beads are going to end up, but there's a cardigan in there I think, lace panels perhaps?)



And here we have the tiny amount of progress on the shawl I've started. Oh, and look, I've taken another really bad picture. The family gift; I've got it. Anyhow, it gives you a sense of the color and pattern - wait till I have about 6 inches - getting a snap of anything shorter than that on circular needles is a bear. Shimmer is really nice - it has a glassy quality that makes the colors really luminous and it's just a little fuzzy so it's not quite stark when you make lace with it. But man, this thing is going to take over a year to complete - so many tiny little stitches! Yet I know I'd take on a sweater with just as many stitches and rows without blinking -- which is odd. I'm hoping it's one of those great things that creates an enormous sense of accomplishment, rather than months of hair-tearing.
Had another thought about Amy Rose last night - what about doing Amy with 2 strands of Shimmer instead of Bare (say Blue Glass and Turquoise Splendor, or maybe Lilac Dream and Cumulus) and dye the lace weight mohair something soft and in between. The Shimmer wouldn't have the body of the Bare, but the overall fabric might have a really nice drape.

Sorry, no pictures (nothing to report, really)

Except that I'm sort of stalled out. Oh, and the small person ended up being called in to a regional tournament this weekend - that sucked up both days and last night (till 10pm - but worth it, we're really proud of him). And it's been in the 90's. And I'm out of materials for all my projects I want to work on right now (I need blue for the side to side sweater and more beads for the Matrix) and for whatever reason don't have the spinning bug lately. I've started a shawl in knitpicks Shimmer Blue Glass - but I have less than an inch done, there's no picture to take there. While I still like the idea of spinning some BFL, I'm wondering if I don't want to do the fishing shirt idea in Merino Style, maybe cinnamon or moss. I have to say I was very impressed with Merino Style, much softer than I had thought, and seems to have really nice stitch definition.

It

From Lori, whose blog I like a lot.

1. Do you knit or crochet? Knit. 2. How long have you been knitting and/or crocheting? 33 years. Ouch. Okay, I learned really young. Like, 4. 3. What’s your favorite yarn to work with? Wool with some cotton or silk in it. 4. What’s your favorite needles/hooks? Inox. 5. Do you spin? If so, spindle or spinning wheel? Yes, spinning wheel. 6. What’s your favorite fiber to spin? Merino, but my experience has been limited. 7. What’s your favorite project to make? Sweaters. 8. What’s the hardest project you’ve ever made? Kaffe Fassett's stars cardigan. 9. What’s the project you’ve had the most fun making? Same. 10. What’s the ugliest project you’ve ever made? The big blue sweater I made for my dad that looked like it was designed for an orangutan. I was 15 and I made it in under 48 hours. There have been some horrible color combonations, too. Lori answered "My first sweater" to that last question, but I was hoping for a picture. I haven't made anything too heinous lately. Lori - what's your favorite brand of yarn/yarns???

Berries matrix scarf

Well, that's just what it's making me think of right now. This is size 6 seed beads knit into knitpicks gloss cosmos, using a shawl pattern from Cheryl Ober's Folk Shawls (Kimono shawl cut down to scarf proportions). I've never knit beads into anything before, so how many to put in and where they should go are kind of tough to figure out.
The second picture shows this a bit better, since I've set up the beads into decending straight lines, the overall effect reminds me of Joe Pantoliano and Keanu Reeves watching the green code trickling down like rain in The Matrix. Again, I think it will be better when it's blocked. TMC has quoted me about needing 3 different projects going on varying levels - I need to get on the stick and get a dummy going, as right now I don't have anything I can not look at as I work.

Simpler is better

Knitting lace with beads - same pattern, same yarn (pretty much), but . . . less really is more - don't you think?
It's going to be a scarf. I think the overall effect will be even better once it's off the needles and blocked.

Another project done

I finally finished big blue. I love everything about this one. I love the yarn, the color, the pattern (this is the 4th time I've done it - here's my original post that gives all the details should you want to take this one for a spin). I love it so much, I got grass all over taking this picture of it.
I would have been done about 4 days ago, but I messed up on the sleeves, didn't make them wide enough, so ripped them back more than halfway and reknit them.
My wonderful and brilliant spouse once mentioned that I should be more in depth, technical I guess, when I post. Since he's right about pretty much everything else, I thought I'd include some close ups of my sleeve attaching method. I grew up sewing my knitting together and maybe I'm just bad at it, but I always ended up with weak, gap-y seems that looked like, well, crud. Whatever you were wearing underneath would peak though at the shoulders and neck, ugh, a nightmare. Ever heard of That Dorky Homemade Look?
So, whenever I can manage it, I pick up sleeves and knit down using an alternating 3/4 times two and 4/5 ratio (pick up 3 stitches of the first 4 rows two times, then 4 stitches of the next 5 rows, repeat this set of three and no matter the gauge, I find I always get a perfectly flat join). I never cast off for necks, either, I put all my decreased stitches on holders or scrap and knit my necks up.
But, competing with my love of pick up and knit sleeves is my love of working anything that has to match at the same time. I must be a lazy slob because I have a real hard time getting sleeves to match when I knit them one at a time. So . . . for this one, I combined my favorite techniques. I knit my two sleeves at once (twice, but never mind that right now) having double checked the math of stitches to rows, then once the sleeves were complete, I knitted up the stitches along my armholes and knit the two together.
Best of all possible worlds. The middle picture is the outside of my sleeve join, this last one is the inside.
Now I just need some weather that's not hitting the 90 degree mark . . . .

Some recent dying

Kind of a pretty mess, isn't it? Maybe a little bright. The small one and I have been having fun with food color. I've arranged 4 of my favorites from our latest batch of dying below - one new twist, black food color. I had an inspiration a couple years ago, it was actually a quilt I saw in the catalog for Keepsake Quilting - I don't get the catalog anymore and I think I threw out all the old ones and I didn't keep any of my old copies, so I don't have a picture to share. Dumb -- it was lovely. But the quilt was a mullioned frame, black fabric around bali windows. I thought it would be cool to make a sweater like that using KOIGU. But that would cost $200.00. So maybe I can try with this stuff. I also like the blue/purple/black colorway for an Amy Rose redo.

And this is my stab at beaded knitting, take two. A scarf, I think. I'm thinking the green and teal should go on some gray lace weight I've stalled out on . . .

Not sure I like either of them

I still don't like the cable version with the hand painted, too busy.
And I think the newer version, which I like better, is still too stark of a contrast.
Maybe simpler is better, go with the design of the second test but just use the one kind of yarn.

Testing testing

Still not sold on whether the coal and the hand painted go together, I've started a test of the cabled cuff, the pick-up-and-knit-off version. I like the cables as cables, I like where the join of the pick up meets the cable band; I think that part works pretty well --nice and even. But I'm not happy with the way hand painted yarn looks in cables. Maybe it's just too much going on at one time for my eyes, it looks messy and muddy to me. Puts me in mind of icky jumbo-sized afghans made of Lion Brand multi acrylic (not that there is anything wrong with Lion Brand). Next I think I'll do a test of the two color idea - straight stitch with a turned cuff and have the colors grade into one another. I'll keep both so I can compare.
One of the things I like about getting older, and this isn't the first time I've said this, is that I no longer think making swatches is evil or lame.
And this little picture is what happens to your pizza crust when you have to wait 55 minutes for a dental appointment.

Sausage

They say no one wants to know how sausage is made.

Sadly, sometimes one wants to share how they make it. And isn't that what blogs are for?

Here's my first draft of a pattern based on the swatch from the previous post. It's not quite human-readable yet. Knit from cuff to cuff with a big v-neck hole, plan is to go back and add a bottom edge and collar later.

Any suggestions? Or: Are these colors too light to go with the coal?

These pictures actually do catch the colors of this hand painted DK merino pretty well. Nice, they make me think of tropical water, mermaids, that sort of thing, but muted. I like to pair nice bright multi colors with black or dark grey for a strong contrast, but I think this solid coal DK merino might be too strong.
I'm picturing using this hand painted for a boxy jacket sort of thing, with interesting buttons and the edgings would all be knit the selvage, purl one row (or do a picot fold) and then knit up from this edge. I did this on the Northern Lights sweater, and now that I look at it, this would seem to be Northern lights in reverse. Maybe I should try a little harder.
I'm not crazy about cables in hand painted yarn, but maybe this is subtle enough to work. Or perhaps something worked from wrist to wrist, I haven't done one of those in maybe 7 years. That could work, the flow of the pattern could pick up on the changes in color of the yarn, really try and bring out the tropical water element. I'd have to alternate all three of the skeins I dyed to keep minor variations from showing up in the finished sweater.

Thinking about spinning . . .

And I think I want to try doing some natural colors again, maybe like this for the fishing shirt (though I seem to get sidetracked by stuff like this) and maybe get something like one of these silk blends for the lining of the neck. (The Mad Crocheter has a great, very self deprecating sense of humor, and is very upfront about loving shiny stuff. (I've wondered aloud if she isn't perhaps a reincarnated crow, and teased that if someone would just come up with a chrome-plated baby, she'd have 18 kids.) I ought to lay off, as apparently my own shiny-meter is taking off. I think all this sunlight and flowers here in the South are messing up my grey/navy/olive/black palette.)

Other updates: I've pulled out the green scarf; I wasn't happy with it so I want to maybe try again rearranging the beads, and am still plugging away at the big blue. I'm probably 10 rows away from being done with body, but a picture of that won't be very interesting. But I did finally manage to take picture of Soryu that actually shows the colors (below). And, we have a Mama Cardinal living in our small tree outside the playroom window. If my husband stands on a stool, he can see in to see eggs (from inside, we try to stay out of her space outside) but I'm too short. Very exciting.

Design sketch for fisherman's shirt

You probably can't read my notes on this, but it gives you an idea of what I'm thinking about having it look like. Wool or cotton&wool or silk&wool blend for the main body and silk for the linings . . . .

Playing with beads

So, I started to play with some food coloring dyed silk and merino and beads. I'm using Cheryl Ober's shawl pattern, trimmed down to be a scarf rather than a shawl. I kind of like it, I think, but I'm still not sure I'm placing the beads where they should go for maximum effect. Also, using beads and spaced dyed yarn in a lace pattern may be lily gilding and perhaps I should cut down on one of the elements here for a more successful end product.
But it has a nice hand, even with the beads in; I was worried they'd make it too heavy.
I think I'll get back to Soryu when I'm done working out. Spinning is very relaxing, but I find I have to be in the right place to do it. If I'm inclined to stress out about anything, it gives my brain too much space to roam and I end up all sad and freaked out 2 hours later. And usually my spinning stinks - it gets all lumpy when I'm not calm. Funny thing, that.
Hope everyone had a nice weekend.

Another horrible picture, of beads.

Rather than a shawl (which, lets face it would be a huge amount of bright greens and blues next to one's head), I was thinking a beaded scarf.

The swatch is not the final pattern, just a test of a simple YO pattern so I could play with bead placement.

Sadly, the beads don't show up so well in my picture, but they look nice in real life.

Yay, it came in the mail (and other thoughts)

The colors of the beads don't show up so well in this snap, but they match the mermaid green fingering weight silk and merino I dyed Monday. I'm thinking about a lace scarf. As luck would have it, I have tiny little crochet hooks that I inherited from my husband's great-grandmother, along with lots of knitting needles. I had no clue what to do with the 2.4 lb. of crochet hooks at the time, but now I look forward to using some of them and thinking of Eunice, who I never really go to know.

On another note, a design note I suppose, do you ever have an idea that keeps cropping up on you until it just seems like you must make whatever it is? A really lovely top appeared in the le bouton catalog sometime back - I just love it. I asked Lisa if she was okay with my making some kind of adaptation of it, and she said that was okay with her. Then I was looking statcounter and looking at who looks at my stuff - and how very cool, there is a blog in Denmark that links to mine (thanks so much, what a cool compliment that is) - the author does really lovely spinning, but I can't return the favor and read it (lazy American). I've tried some translation software, and I can get some but I think both idiomatics and diacritics are against me. But I spent some time checking out other blogs she links to and I found this (scroll down to the entry for 4/28/08). Pretty similar, hun? I think both are beautiful, simple, and accentuate the neck in a way that appeals to me.

So what's my point? Maybe after I finish up Soryu (yes, I'm back at that, too, I've spun almost a whole other bobbin to ply) I'll get myself some nice natural brown grey and spin up enough to make a fishing shirt that pays homage to these 2 lovely designs.

Action shots

Or non-action shots, if you're a stickler for correctness. Clearly the light changes how this baby looks a great deal. It feels really nice - doesn't look that bad on either, or it might not if the model was someone who could loosen up a little bit. :)